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The
wild card - Cramer's past has caught up with him. Ex-IRA extremist
Dermot Lynch blames Cramer for his lover's death and he's out for
revenge.
As Cramer trains for the most dangerous mission in his career, Lynch
hunts down his sworn enemy. And the unknown assassin silently closes
in on his target.
The players are in position for the final deadly game...
Stephen Leather writes: Sometimes it can be a
struggle to write a thriller. The ideas don't come or it's hard to
get the feel of the characters. The Double Tap came to me over the
space of a few hours, on a flight from London to Boston. Everything
- the characters, the plot, the ending, every twist and turn. When
I got to Boston I started writing immediately, and it's almost identical
to the vision I had on the plane. The only thing that has changed
is the title. I wanted to call it The Judas Goat but my editor thought
that most people wouldn't understand the significance so we decided
on The Double Tap instead.
It's one of my favourite stories, fast-moving and tense, but I like
the characters, too. It's also the third appearance of Mike "Joker"
Cramer, a character who appeared in The Chinaman and The Long Shot.
Some years after the book was published, a movie with the same title
made an appearance, starring Stephen Rae as an assassin who kills
with two shots. Nothing to do with my book, unfortunately, and I reckon
it's a much weaker story than mine.
Two of my friends, both professional bodyguards and security experts,
appear as characters in the book - Allan and Martin. Martin has never
forgiven me for allowing him to be locked in a car boot. Both will
be back in another book at some point. They're both great characters,
in fiction and in real life.
Reviews:
"Masterful plotting...rapid-fire prose." - Sunday Express
"A damn good thriller writer." - Campbell Armstrong
"One of the most breathlessly exciting thrillers around...puts (Leather)
in the frame to take over Jack Higgins's mantle." - The Evening
Telegraph, Peterborough
"A fine tale, brilliantly told - excitement which is brilliantly orchestrated."
- The Oxford Times
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