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Stephen
Leather writes: Pay Off was the first book I wrote, so
I guess I was lucky to get it published. I was working on the City
pages of the Daily Mirror and had a lot of time on my hands, so most
of it was written on my office typewriter.
It was discovered on the slush pile at Collins, before they became
Harper Collins. The slush pile is the stack of unsolicited manuscripts
which every publisher has - it's hit and miss as to who eventually
reads it. Could be a secretary, could be the managing director.
An editor at Collins read it, liked it, and put it in a filing cabinet.
She then quit the company, but luckily, on her way out she told her
successor about it. She rescued it from the filing cabinet, one rewrite
and a few months later I was a published author.
It's a simple story, a sort of Thomas Crowne Affair, written in the
first person. I'd do it differently if I was writing it again. The
distillery scenes all come from a tour of Highland distilleries organised
by a Scotch whisky firm. I remember little about the tour because
we kept sampling the wares, but I took lots of notes, some of which
were readable. The hero is never referred to by name, which is how
Len Deighton wrote a few of his books. It's a neat device, but can
be difficult to pull off at times.
Reviews:
"A pretty impressive debut...sharp and economical...a pacey read" - Glasgow
Herald.
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